QGCon 2018 Application

Decided to make my QGCon 2018 application public because conference apps always stress me out and I’m always curious about how other people put theirs together so I figured I should be demonstrative of the Academia I Wanna See.


Bio:

Brieal is a fourth-year undergraduate honours student in the department of anthropology at Macewan University in Edmonton, Alberta. They’re interested in far too many things. Primarily, however, they’re interested in linguistic anthropology and language revitalization, archaeogaming and the people who do it, literary theory and its applications in things that aren’t English papers, and how these disparate ideas actually all make sense together (but only if you squint a bit, tilt your head to the side, and whisper “digital humanities” over and over). When they aren’t yelling their way through their degree they spending time with their shiba inu named Sushi and naps.

Website: mxmoireabh.com
Twitter: twitter.com/mxmoireabh

Session Title:

Ontologies of Practice: A Proto-Ontology of Queer Archaeogaming

Session Abstract:

To track the flow of information within archaeogaming I have created a proto-ontology of archaeogaming as it may be perceived through a queer interdisciplinary lens. This project works to identify potential sticking points and holes within the current practice of archaeogaming by placing practices and methodologies within the context of the potentials within queer archaeogaming. To facilitate this, I have taken terms from the bibliographies of several texts and created a series of connections between these terms and an edited Canadian Archaeological Association ethics statement. Additionally, I have taken terms from the instructional manual of an early Pokemon game to demonstrate one of the ways in which this ontology may be put into practice. The method for this project was originally designed as a mind-mapping exercise, however as it progressed it slowly became closer to an ontology in-practice. This is to be considered as a positive change, as in the form of a [proto-]ontology it may be better understood not only by people working within the archaeogaming community, but also potentially in the future by archaeogaming AIs.

This panel will consist of a short (approximately 15-20 minutes) explanation of what archaeogaming is and where this research fits into present archaeogaming practice, and is to be followed by a demonstration of archaeogaming-as-method by using the ontology to map how different resources may be labeled as queer archaeogaming (3 examples, approximately 10 minutes each).

The map described in the above abstract may be found at: https://twitter.com/mxmoireabh/status/951213232416411649

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fuckin whoops: 5 texts that are influencing my writing in 2018

I’m presenting these in no particular order, as it’s difficult for me to rationalize a hierarchical system to describe formativity.  This is by no means a complete list, and I provide by no means a complete explanation/summary for each text. The thing that started this entire post is that I really can’t include all of this information into a single media response (half of which I already turned into a Twessay omfg) for ANTH 497, and I needed to figure out a way to frame information in a way which would be useful for said project without going over the 1000-word limit. Thus as opposed to fully historicizing and explaining my thoughts and responses to these readings I’m instead wanting to provide a method of brevity for some of my papers (but the one in particular) coming up this semester.

Basically: I needed to figure out a way to cite myself.

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Self portrait of the blogger.

Pic unrelated, mostly.

Note: I use the term “ugly feelings” more than once to describe my own negative affects upon experiencing texts. This is a term that I know is from one of these readings, but for the life of me I can’t recall which one. Whoops!

On to the listicle:

Sedgwick, Eve Kosofsky. 2006. Touching feeling: affect, pedagogy, performativity. Durham, NC: Duke University Press.

I first read Eve Kosofky Sedgwick’s Touching Feeling around this time last year, and found the experience to be especially formative not only with respect to the way/s in which I choose to approach research but also the way/s in which I am capable of said approach. In “Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay is About You” Sedgwick delineates (or, rather, attempts to delineate–the distinction is less a binary opposition and more a wibbly wobbly readerly eagerly) between paranoid and reparative methods of reading. Where the paranoid is “anticipatory […] reflexive and mimetic […] a strong theory […] a theory of negative affects […]” and that which “places its faith in exposure” (130) the reparative is that which allows one “to use one’s own resources to assemble or ‘repair’ the murderous part-objects into something like a whole” (128). As a queer and as someone who often experiences difficult or ugly feelings about texts the concept of the reparative reading is especially poignant for me as it offers the opportunity to take those negative affects and turn them into something positive (or, at the very least, into something more whole than shame). This is especially important and poignant to me as not only a queer reader but also a person who tends to find enjoyment in the reading of negative affects.

Allan, Jonathan A. 2016. Reading from Behind A Cultural Analysis of the Anus. The Exquisite Corpse. Regina: University of Regina.

I’m still in the process of reading this one, but I think it’s definitely going to remain influential over time. I struggle with being willing or able to express my love and enjoyment of texts which contain materials other people may find offensive or distasteful (ex. body horror), and more relevantly I struggle to put into words why I find enjoyment in some texts that others are unable or unwilling to. Even in explaining things in this way, however, I feel that I have fallen into a paranoid trap: “[t]he very idea of the reparative reading renders critics paranoid, anxious, worried. We apologize for it before we have even begun to do it” (16). Building on Sedgwick’s reparative reading Reading From Behind has thus far been a mix of emotions, but overall skewing to comfort. There is a comfort in knowing that there is a method by which my ugly feelings may be transformed. In the chapter “Spanking Colonialism” Allan writes that “[c]lose reading is a kind of erotic engagement with literary and visual texts that enables us to move slowly through the density of words or images” (117), and while I’m speeding through this first read-through of Reading From Behind I’m looking forward to sitting on my future responses as long as possible.

Fischer, Hal. 2015. Gay Semiotics: a photographic study of visual coding among homosexual men. Los Angeles, California: Cherry and Martin.

Gay Semiotics has been a foundational reading for me with respect to understanding semiotic coding as it relates to prestige and safety. While visual information is not capital-L-Language it still provides so much contextual information which is/may be important to the understanding of a given text. As semiotics plays so well with understanding the ways in which visual information is expressedly intertextual and intermedial Gay Semiotics provides so much information on the understanding of archetypal images and the ways in which these images may be used to parse further information from a specific set of visual information which we may not elsewise have done. While I think that most texts on semiotics fulfill the use-need I’m describing here because so many of my ugly feelings come from a place of seeing queer images where others may not choosing an explicitly queer (or, in this case, gay) text is important to me.

Brice, Mattie. 2017. “Play and Be Real about It: What Games Could Learn from Kink.” Essay. In Queer Game Studies, edited by Bonnie Ruberg and Adrienne Shaw, 77–82. Minneapolis, Minesotta: University of Minesotta Press.

The idea that kink could be used as a theoretical framing device literally never occurred to me prior to reading this, despite the fact that it makes so much sense. Queer Game Studies was a huge part of my ANTH 498 final study, and I ended up spending a lot of time thinking about the ways in which my own theory/praxis are influenced by kink and BDSM (heads up: it’s a lot of ways). Brice explains it this way: “Kink isn’t just a topical analogy […] it’s a good framework for challenging these contextless play experiences by reimagining the positions of the designer, player, and play, and what those positions mean” (78). In considering this through a lens of that reparative reading I’m (obviously) such a fan of this has opened up the possibilities for dealing with ugly thoughts and ugly responses I have to texts–by coming to information reparatively and spatially I’m better able to negate the shame and humiliation that I often experience as a reader because I am the reader. It’s a small consideration, but all too important, that “WE ARE ALWAYS PLAYING. WE ARE ALWAYS IN CONTEXTS. CONTEXT IS EVERYTHING” (79). By considering our own positionality to a text we are better able to address our own values and ideologies as they influence our understanding/s.

Barthes, Roland. 1975. The Pleasure of the Text. Translated by Richard Miller. New York, New York: Hill and Wang.

While I tried to keep order out of this list as much as possible, it really is important to be ending with this quote: “No ‘thesis’ on the pleasure of the text is possible; barely an inspection (an introspection) that falls short” (34).

I hope this post ends up being useful to me moving forward, and I do recommend (perhaps obviously) that you check out each of these texts on your own time! Also it really isn’t lost on me that this list is incredibly white and incredibly male, so if you have any recommendations for texts you like that you think may help rectify that let me know!

Let me know your own reactions either here or on Twitter if you get a chance! I’m always curious about others’ perspectives!

#BuJo Level 10 Life

I love reading other’s bullet journal blogs, and I’m definitely inspired by the spreads others make and maintain in their bullet journals! One of the things that got me into bullet journalling (something I’ll talk more about in my end-of-January post!) is how creative the bullet journal system can be made.

With that in mind I spied both Boho Berry and Little Coffee Fox doing different things with their Level 10 Life spreads! I decided to follow moreso Little Coffee Fox’s design, but I really liked Boho Berry’s lists of goals and might do something like that for my follow-up spread! You’ll also notice that I added the category of “school,” as I feel my career goals and education goals are slightly different.

But enough description, on to the pictures!

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I chose to use watercolours for my boxes because of the way that watercolours blend in and out of one another. While it might sound a bit hokey it’s really difficult for me to compartmentalize too much of my life, and I find that different aspects of my life will affect other aspects in ways I can never expect. I found this to be really informative though regardless, and I would definitely recommend anyone with a spare hour to try it out! I didn’t really have a concept of how dis/satisfied I was with different aspects of my life until I filled out my boxes and thus had a visual representation of what all has been going on for me lately. I’m not sure I’ll be redoing this anytime soon, but it’s definitely going to be a regular check-in for me moving forward!

All that said: have you tried laying out your Level 10 Life? Show me in the comments, or tag me on Twitter! I’d love to see how other people interpret this spread!


Aside: this was definitely an exercise in photography! I think I’ll definitely be investing in a lightbox sometime soon, because there really isn’t anywhere nice to take photos in my house!

Disclaimer: This posts contains affiliate link/s. I may earn a commission, at no additional cost to you, if you click upon or make a purchase through my affiliate link/s. Your purchase helps support my educational goals in addition to allowing me to keep providing you with cool blog posts on the regular!

 

10 Things You Might Not Know About Me

Heads up!

Although my blog has thus far been a class-work receptacle I’d like to begin branching out more and more into lifestyle blogging. This absolutely doesn’t mean the essays will stop, but rather that I’d like to try out some other content as well! While I’ve queued up a number of “Get to Know the Blogger” lists like this one, I’m also planning on posting my bullet journal spreads and note-taking methods! Studying is always more fun with friends, and I’d like to emulate that here!

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me as a meme

As for the reasoning behind this change: as I mentioned in my Surprise! Pearls post making money in university while disabled has been difficult. In the last couple of years I’ve struggled with financial set back after financial set back, and in order to be able to continue schooling I need to have a stable source of income. While I’m working to build a freelance editing portfolio I’ve decided to go back to my roots and hustle the heck out of my life. This semester I’m taking courses part-time, and will thus hopefully leave me the room I need to get this blog moved in the direction and with the reach I need to be successful at this whole writing gig.

If you have any comments or suggestions shoot me a comment or let me know in a Tweet! Now on to the fun stuff!

  1. My favourite food is applesauce! I love it because it works as a condiment, a side dish, or a snack! Truly an all-in-one, ultra-versatile deal. Unfortunately because of my absolutely terrible memory I never get to eat it because I don’t ever go down the snack aisle at the store! A tragedy if I ever heard one.
  2. I always feel like I’m about to be late for SOMETHING, but I never know what! It’s like having a built-in Rememberall at all times!
  3. My minor is in English literary studies, and I’m so so so thankful for my literary education! I feel like I talk about my anthropology education all the time, and never enough about my other interests!
  4. My favourite colour is purple! That said, I never seem to buy purple things. I’d love to rectify this, but there are so many other colours I love that I don’t want to ignore either!
  5. Despite all my dog-related Tweets my favourite animals are actually turtles! That is, if I even have a favourite animal (all animals are good in their own ways)!
  6. I used to wear lolita! I fell out of the lifestyle when I began living my life more authentically with respect to my gender identity because I couldn’t parse for myself that type of hyper-feminine presentation with my non-binary-ness. I’ve since discovered this is an absolutely bullshit reason to quit doing anything you love, and I’d love to get back into it when I finish up my degree!
  7. I drink iced coffee and frozen drinks year-round despite living through snow every year because I always run super warm! What would be a fever for most people is pretty much par-for-the-course for me, so I have to cool down somehow!
  8. I can’t sleep if I don’t have at least two (read: 2) comforters folded upon themselves on my feet at night. Yes, even in the Summer! I’ve looked into weighted blankets before, but I’ve thus far found the cost prohibitive. I’d like to take up sewing now that I have a Craftsy Unlimited account, though, so if I ever get around to borrowing my sisfriend’s sewing machine I’ll definitely be trying to DIY my way through!
  9. My glasses don’t actually do anything! I had a mass last year in my left eye that ended up changing my prescription literally overnight, and I just haven’t had the money to replace my lenses yet! I tried going without glasses for a couple of days when it first happened, but my anxiety got the better of me when people started asking where they went so back on my face they’ve gone!
  10. I’m honestly a mostly open book, so thinking up this list has been super dang hard! I’ve kept to myself for most of my life, and in the last couple of years I’ve been making a conscious effort to begin working to talk about myself and my interests more and more. While I live with anxiety every day, working through small things (like openness!) has been invaluable for me in working to live comfortably with myself.

What are some things people might be surprised to learn about you? Let me know! I look forward to reading your comments here and on Twitter!


Disclaimer: This posts contains affiliate link/s. I may earn a commission, at no additional cost to you, if you click upon or make a purchase through my affiliate link/s. Your purchase helps support my educational goals in addition to allowing me to keep providing you with cool blog posts on the regular!

Surprise! Pearls with the Shucking Mama | #shuckyeah!

Making money while in university is tough. Making money while in university with disability? For me it’s been near-impossible. I’ve always known that freelancing is/would be the best fit for me in the long run, but when my mum and sisfriend approached me with an idea for a Facebook Live business I was still wary. Shucking oysters live? It honestly sounds ridiculous (maybe because it is!), but eventually I agreed to come in with them as a social media admin.

Let’s start with some introductions first!

Who are we?

Existential contemplation time (jk but kinda not).

My sisfriend, Deanna, is the Shucking Mama!

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Deanna wearing a single pearl in a swirly heart pendant!

With 3 kids going on at home Deanna super enjoys the flexibility being her own boss affords her. She’s able to wear Elliott for the most part during shows, and Jordyn and Ryleigh have made guest appearances on the show when they’re not too busy playing! She also loves the community being built around our shows, and really enjoys seeing the same names pop up on her screens week to week!

My mum, Annette, is the Shucking Grandmama!

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My mum wearing a single pearl in a cube pendant (also just generally lookin’ super cute with my dad)!

Mum especially appreciates the flexibility offered to her as well (see the theme forming?). Being able to pop on and off tasks as she has the opportunity is lovely, because it makes more time to hang out and play with the grandkids! With two kids already raised of her own being able to sit back and relax with her grandkids is one of her favourite things to do. She especially loves to see how excited people get over their pearls!

I’m the Ban Hammer!

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Brieal (me!) wearing 4 pearls in a tube pendant!

Working for myself, with family, has been so rewarding. Even on days where I can’t seem to get any editing work I know that I can throw a message into our Shuck Squad group chat to renew my resolve for the coming Tuesday. Because I’m always responding to messages and comments in-show I’m so appreciative of the community that’s forming around our shows! That said: because we’re an entirely independent business the part that I’ve struggled with the most is getting people to really understand what exactly our business is all about!

So what do we do, exactly?

Short-form: Deanna shucks oysters over Facebook Live, and people get to keep the pearls!

Long-form: We work as a team to tailor a consistent experience of fun and community around the shucking of pearls over Facebook Live where people order lovely pearls and pearl cage jewelry!

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One of the many unconventional projects that Deanna’s taken on for Surprise! Pearls.

We’re an entirely independent business which means that all of our planning, ordering, photographing, messaging, inventory-ing, sorting, shucking, etc is done by one of the three of us. While other people choose to go the MLM route through a larger company we wanted to be entirely our own bosses! While this has resulted in some extra work    (… A LOT of extra work) it’s been worth it for us because we can tailor our business to meet not only our needs but also the needs of our fanbase!

Because we’re a Facebook-only business all of our show preorders are done through Facebook messaging. This means that one of us needs to have our phone on us at all times in order to keep track of inventory! Although I work as the social media admin due to my school schedule the person who most often responds to messages and makes posts throughout the week is Deanna, while my responsibilities are primarily in-show. My mum, Annette, works hard to keep track of our inventory and book keeping, and works as Deanna’s assistant in-show! She makes sure that Deanna knows who gets their oyster opened next, and keeps track of shipping everyone’s orders! But all of that would be for nought if Deanna didn’t shuck oysters Live! Right now we have a weekly show every Tuesday at 7pm PST/8pm MST during which Deanna shucks individual and giant oysters to reveal the awesome pearls inside!

All that said: our positions are made up and the points don’t matter! We all work all of the positions based on our abilities and time available. Everyone has done everything at this point, regardless of if it’s their wheelhouse or not!

How do we get our awesome pearl colours?

A lot of the fun of our shows is that you never know what colour you’ll get until Deanna shucks the oyster. Every oyster contains a pearl, so the only risk is colour result! This also means that although there are jewelry options for pearls a lot of people end up collecting the pearls as-is.

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A great example of just some of the colour options available!

A couple people on Facebook wanted to know more specifically about how our pearls get their colour as well! Our single pearls are beautiful Akoya pearls. This means that each cultured oyster is implanted with an irritant or two (a graft of mantle shell–otherwise known as the pearl nucleus), around which nacre forms evenly to create a fairly consistent round pearl. We also sometimes order oval shaped pearls as well! This method of culturing means that we’re able to get pearl colours which (perhaps obviously) don’t exist outside of this method.

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Source

We additionally have begun ordering cultured giant oysters! These huge oysters hold 20+ natural ivory/cream/white pearls! Because of the number of pearls being implanted and cultured at once we’ve stuck to the natural colours as the “rainbow” giant pearls are implanted with coloured plastics as opposed to mantle grafts. This results in a less resilient pearl, which doesn’t hold up to our high standards (yet! anyways).

Why does all this matter?

We LOVE being our own bosses, and are so looking forward to taking our business further! As people just starting out we’re striving to be as upfront about ourselves and our business practices as possible! We’re three people who have come together to work hard, and we hope that others are interested in said hard work!

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The entire Surprise! Pearls team!

I hope this has cleared up some of the more common questions we get about our business! If you figure I’ve left something out please don’t hesitate to message us on Facebook!